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Week 1 Jan 11-15 Syllabus Semester plans Use of technology
Attendance: There are 41 class days. Each will count for
2.5 points. Tardies are one point.
Final Exam: Regular final exam time (Monday, May 2 11:30-2:00)
or afternoon/evening during finals?
Write these questions and the answers on a sheet of paper and give to me at the end of the class. 1. Do you read lead sheets? 2. What harmonic instrument do you play? 3. How many chords can you play on that instrument? If less than 10, list them. 4. Do you sing? In public? For your friends? With your friends? In the shower? Blooms Taxonomy Critical thinking skills and journaling Prosody - when everything works together No decision is made that does not contribute to the whole Example: sad song, slow, minor Words like 'rise' or 'high' with associated melodic line There are no rules!!! But, there are tools and there are strategies. There are many forgettable songs. Why are they forgettable? | Assignments due: |
Wed | Blackboard setup | |
Wed | Assignment: "Wish I had written that" song Identify a song that exemplifies the kind of song you would like to write this semester. Your preferred genre Lyrics that you particularly admire Memorable melody Harmony that sounds great Performance that you would like to emulate In a
Word document, describe why you wish you had written that song, addressing each of the elements above (genre, lyrics, melody, harmony, performance). You will turn this in to me. Note: When referring to a song, it should be placed in quotation marks, not just capitalized Watch your writing. Your explanation should be formally written with correct grammar, punctuation, capitalization, and sentence structure.
We will all listen to your selected song. A YouTube link is preferable. If it does not exist on YouTube (really??) then bring it on a thumb drive.
What makes a song memorable?
Pocketful of
Sunshine | | |
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Week 2 Jan
18-22
No class
on Monday: MLK Day Lyrics Use the checklist below to evaluate your 3 Boxes Assignment: - The title moves well through the boxes and gains more meaning each time.
- The most important idea (the why of the song) appears in the last box
- Each box contributes a further development of the title clearly.
- The development of the idea is interesting.
- The student selected an effective point of view for the development of the title.
- Who is talking is clearly identified.
- To whom is clearly identified.
- Why is clearly identified.
- When and where set an interesting and effective context for the title.
[Citron 17-21] |
| Assignments due: |
Wed | Discussion: Read the following article http://www.scene4.com/archivesqv6/oct-2011/1011/davidalpaugh1011.html What Poets Can Learn from Songwriters |
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Wed |
3 Box Assignment
Pick one of the following titles (or use one of your own) and, using the boxes as a guide, describe how you would develop it (i.e. what would go in Box 1, what would go in Box 2, and what would go in Box 3. Put your ideas into this 3-Box Template The Good Old Days Two Story House Fool's Gold Home Brew The Other Side of Goodbye
You may print out the box and write the words in.
Please write legibly! |
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Fri |
5 Titles
Read
Lyric
Writing: Writing From the Title
Write 5
titles for potential songs using these tips |
Lake Street Dive
http://www.youtube.com/watch?v=rHjLyWRfK1U&sns=em |
Week 3 Jan
25-29 Song sections (form): verse - provides the basic story or basic feeling of the song chorus - part that is repeated; gives the central idea; the gem bridge - connects song sections; contrasting material; moves to a different level of information
Take the Stress Test
You may save the loops below: right click, Save
target as Drum loops:
[Citron 96-128]
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Assignments due: |
Mon |
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Write an unstable verse that moves into a stable chorus
Write a stable verse that moves into an unstable chorus See the Lyrics page and review stable and unstable Be sure to use rhymes in this assignment
Type the
assignment in a Word document. Print it out and bring to
class. Make sure your lyrics are in poetry form (not prose).
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Wed | Stress test with loop Choose the chorus that you prefer (or write another one) Mark the stresses on the chorus You will speak your chorus to a loop for the class.
Provide a Word document for this assignment.
You may write in the stresses. |
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Fri |
Song #1Lyrics 1st draft
Words only in poetry form in a Word doc
Label the sections (verse, chorus, bridge, etc.)
Include the
Rhyming Worksheet for your complete song |
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Week 4 Feb
1-5 Melody
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Assignments due:
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Mon |
Revisions of
Song #1 Lyrics
Revised
words only in poetry form in a Word doc |
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Fri |
Melody #1
Write a melody in which the first phrase ends on
an unstable note and the second ends on a stable note. You
may use 2 phrases from Song #1 or completely different words. |
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Week 5 Feb
8-12
TMEA: no class on Friday
[Citron 129-134]
http://www.tarleton.edu/anthology | Assignments due:
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Mon | Melody #2 Write a chorus This should be absolutely new (not one you have written or worked on before). Requirements: Use stable or unstable line lengths - your choice. USE RHYME - your choice of rhyme scheme You will sing your chorus for us in class. Accompaniment is optional, but helpful
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Music majors must provide a written melody with words under
the melody (assigned to notes). You may hand-write it
(if very legible) or put it in Finale.
Look here for writing prompt ideas |
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Wed |
At least one verse to go with the chorus (Melody #2)
Same
requirements as above. |
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Wed |
Anthology
submission
Bring your formatted Word document to class for approval.
After Submit one poem (song lyrics) to the Anthology.
This can be Song #1 or another that you have worked on.
Upon approval, submit this poem (song lyrics) to the Anthology.
Use the link to your left. |
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Week 6 Feb 15-19 Portfolio Use Weebly: http://www.weebly.com/# Examples:
http://vvjohnson.weebly.com/
http://kjlport.weebly.com/ http://siteeportfolio.weebly.com/
[Citron 180-207] | Assignments due:
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Mon | Melody to Lyrics #1
Requirements:
Add a melody to your complete lyrics from Lyrics
#1. You will sing your complete song for us in class.
Accompaniment is optional, but helpful
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Music
majors must provide a written melody with words in Finale.
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Non-majors may supply a Word doc with the words to your chorus for display on the doc cam
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Wed |
Critique cont. |
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Fri |
Finale practice in
piano lab
Bring
revised melody/lyrics from Monday for formatting assistance. |
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Week 7 Feb 22-26
Harmony
Popular music
harmonies
Classroom exercise:
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Make up 2 phrases that
rhyme
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Choose a popular music
harmony
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Improvise a melody to the
lyrics
Melody is usually most important Alternative: harmonic progression similar to Time in a Bottle
Interactive Desktop Blues Another blues loop |
Assignments due:
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Wed |
Harmonize a chorus
Write a brand new chorus (lyrics and melody) and
add harmony. Use one of the patterns from
Popular music
harmonies |
Writing Better
Lyrics – MT67.P383 2009
Melody in
Songwriting – MT67.P47 2000
Songwriter’s
Workshop – MT50.K13 2005
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Week 8
Feb 29-Mar4
Example Portfolios from a past semester: http://tyesharenee.weebly.com http://rmwilson.weebly.com/ http://dallasholston.weebly.com/ http://brehaley.weebly.com/ http://sethcantu.weebly.com/ http://tberman.weebly.com/ http://hadencappsmusic.weebly.com/ http://thefifthseason1989.weebly.com/ http://coreywarthman.weebly.com/ http://songhive11.weebly.com/ http://ervinking.weebly.com/ http://tommy-tones.weebly.com/ | Assignments due: |
Mon |
Harmonize an existing chorus
Take a chorus you have already written and add
harmony to your lyrics and melody. Provide a lead sheet that
includes chord symbols. Be prepared to demonstrate for the
class. You may play your own harmonizing instrument
(piano/guitar), or have someone else accompany. |
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Wed |
Harmonize a complete
song
Choose
one of your songs and add harmony to the complete song.
Provide a lead sheet that includes chord symbols. Be
prepared to demonstrate for the class.
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Fri | Portfolio Send me the link to your Weebly ePortfolio You do not have to have artifacts linked, but pages (with graphics/photos) and tabs set up Suggestions for tabs: Home; About Me; My Music; Gallery [for photos]; Videos Be creative! |
http://bethrugg.weebly.com
http://rebekahanthony.weebly.com/
http://bradleycolemckinney.weebly.com/
http://rosepiotrowski.weebly.com/
http://tygreentsu.weebly.com/
http://cadeschmutz.weebly.com/
http://www.brelillie.com/
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HAPPY SPRING BREAK! |
Week 9 Mar 14-18
Recording your songs Feel free to use whatever recording medium you like. If you are a newby, try Audacity. It's free and easy to use.
Your final exam will be a performance of your
songs on
Monday, May 2 at 7:30pm in the Theater | Assignments due: |
Mon |
ePortfolio critiques
View your classmates' ePortfolios (links posted in Week 8). Offer as
many suggestions as you can to help improve the site. Examples:
tabs to add, more graphics/photos, spelling/punctuation/sentence structure
errors, etc.
Help them to make their site great! The better your advice, the better
your grade!
Post your suggestions in the Discussion forum in
Blackboard under "ePortfolio Critique." Be sure to critique all 6
of your classmates' ePortfolios. | | |
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Wed |
Harmonize a complete
song (#2)
Choose
one of your songs and add harmony to the complete song.
Provide a lead sheet that includes chord symbols. Be
prepared to demonstrate for the class.
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Week 10 Mar 21-25 Uploading Your Recordings to Soundcloud In order to submit your recordings, you will need to create a free account on the Soundcloud web site (http://www.soundcloud.com). You will upload your MP3 recordings to Soundcloud and then provide links to them in your assignments. To upload a recording to Soundcloud, follow these steps: Log into Soundcloud. Click Upload in the top right corner of the site. Click Choose files. Select the file you want to upload from your computer. As the file is uploading, choose the Private option under Settings, so that the recording is not publicly available on the Soundcloud web site. Once the file has finished uploading, click Save at the bottom of the page. Click the Share button on the page that loads with your recording. In the popup box that appears, check Short next to Secret link. Copy the shortened Secret link. Paste the link in the discussion forum.
| Assignments due: |
Mon | Song #1 Complete
and uplinked to Soundcloud or YouTube See requirements and instructions below | |
Fri | Bring Song #2 for final critiques and
or Song #3 for first look |
Requirements for Song #1 Complete song including all verses, chorus, etc. Identify it as Song #1 under the song title A complete rhyming worksheet (template) Non-music majors supply a lyric sheet typed in a Word document Music majors supply a lead sheet Label each section of the song as Verse, Chorus, Break, Pre-chorus, etc.
Turn in to me (hard copy) Rhyming worksheet Lyric sheet (non-music majors) or lead sheet (music majors)
Note:
Here is the link for Audacity
if you wish to use that software. Alternatively, use your smart
phone to record and upload to Soundcloud or YouTube. |
Week 11 Mar
28-Apr1
Tools for Finishing More Songs
Written by Andrea Stolpe
https://blogs.online.berklee.edu/blog/2016/02/03/tools-for-finishing-more-songs/
One of the most frustrating problems we experience as
songwriters is difficulty finishing songs. We might get stuck at the chorus,
or maybe after the first chorus. Perhaps versus leave us feeling we didn’t
quite capture our point. Maybe our song feels too short or too long and we
don’t know where to cut. Whatever the problem, in the back of our minds
we’re wondering why we can’t finish songs. I find a more useful question
than ‘why’ we get stuck is ‘where.’
Understanding at what section in the song we lose momentum helps to decode
what our problem is. Maybe we’re stuck at the end of a single verse, not
knowing where to take the story or feeling as if we’ve said everything we
want to say. The solution in this case is to take smaller steps. Instead of
using so much ‘telling’ language or generalizing language in that first
verse, we need to involve more sensory language. That first verse may serve
us better as a chorus instead of the verse. Try choosing a specific moment
or situation that exemplifies the point you’re making in the first verse and
consider this situation or moment your new verse.
If our trouble is we come to the chorus and we don’t know what to say, we
might ask ourselves what we want our listener to walk away knowing. What is
the big point you want to make? What’s really important here? If you could
summarize the song in one phrase or short sentence, what would that be? Now
write down or record the words coming out of your mouth. Use them as they
are as your title or first lines of your chorus. Consider repeating them
rather than writing additional material to complete the course section.
Sometimes our trouble is that we are too judgmental. Constantly assessing
the value of each line we write puts an impossible standard on a lyric
writing. For this problem, I suggest reading the lyrics of some of the songs
from your favorite artist. These may not be their most legendary songs, but
ones you’ve dug down to grab that exemplify a nice cross-section of the body
of work they created. Notice how the very same language you criticize in
your own writing is the language your favorite artists keep.
Sometimes we get to the end of the first chorus and don’t know where to go
with the next verse. In this case, consider that perhaps your first verse
says too much, generalizing too much. Try moving your first verse into the
second verse position and writing a new verse, generated by a specific
instance that shows the truth of the statement you’re making in the chorus.
If you find that many of your songs are too short, try to use more sensory
language, more storyline in your verses. It may be that there is a lot more
to say on each statement or idea you introduce.
If your songs are too long, you may have trouble getting to the point.
Examine how much of the lyric you can cut and boldly cross those lines out.
Aim to use more repetition of single important ideas.
Finally, Challenge yourself to take 20 minutes to finish the song. Set a
timer and when the timer goes off, put your pencil down. What you have
written is the song. Record it, and listen again a week later and just feel
the song. You may find that there our gems within that you hadn’t recognized
before.
| Assignments due:
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Mon | Song #2 Complete
and uplinked to Soundcloud or YouTube See requirements and instructions below | |
Fri | Bring Song #3 for critique |
Requirements for Song #2 Complete song including all verses, chorus, etc. Identify it as Song #1 under the song title A complete rhyming worksheet (template) Non-music majors supply a lyric sheet typed in a Word document Music majors supply a lead sheet Label each section of the song as Verse, Chorus, Break, Pre-chorus, etc.
Turn in to me (hard copy) Rhyming worksheet Lyric sheet (non-music majors) or lead sheet (music majors)
Notice the Important announcement for next week!! |
Week 12 Apr
4-8
Important: At the end of
this week, I will input grades for all 3 songs based upon the lead
sheets (hard copy) and SoundCloud links that I have.
Send the Soundcloud links to me at
vjohnson@tarleton.edu
Turn in hard copies to me by Friday for all 3 songs. | Assignments due: |
Mon |
Song #3
Lyrics and chords for
critique
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Fri |
Song #3 Complete and uplinked to
Soundcloud or YouTube
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Fri |
All lead sheets and Soundcloud links due
for a grade
Hard
copy of all 3 lead sheets including rhyming worksheets
Send
Soundcloud links to me at
vjohnson@tarleton.edu
| Requirements for Song #3 Complete song including all verses, chorus, etc. Identify it as Song #1 under the song title A complete rhyming worksheet (template) Non-music majors supply a lyric sheet typed in a Word document Music majors supply a lead sheet Label each section of the song as Verse, Chorus, Break, Pre-chorus, etc.
Turn in to me (hard copy) Rhyming worksheet Lyric sheet (non-music majors) or lead sheet (music majors)
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Week 13 Apr 11-15
Final Exam Production
Template Rehearsals
Heads up: Final Reflection, ePortfolio due next week for ALE
credit.
https://soundcloud.com/bradley-mckinney-730350769
http://soundcloud.com/cadeschmutz
https://soundcloud.com/bre-lillie/voice_161-m4a
https://soundcloud.com/bre-lillie/voice_162-m4a
https://soundcloud.com/bre-lillie/voice_171-m4a
http://rebekahanthony.weebly.com/
https://m.soundcloud.com/user-678516701
Beth
| Assignments due: |
Mon |
Bring timing information for all songs
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Need volunteers to produce a performance poster. |
Week 14 Apr
18-22 Rehearsals Final Reflection Include in your Final Reflection the following: Students will analyze how this applied learning experience enabled them to apply what they learned from their courses, both in major and core curriculum areas, and from their extracurricular experiences to the real world. Students will evaluate how the applied learning experience expanded their views of academic, political, social, cultural, and/or economic environments and prepared them to contribute more meaningfully to a global society.
Also include your own personal thoughts, opinions regarding anything else you found to be significant about the experience. Requirements: Double spaced, 12-pt Times New Roman in a Word document, 3-5 pages Refer to the Reflection Rubric for grading criteria | Assignments due: |
Fri |
Final Reflection due Final reflection rubric This is the rubric for all
ALE projects. Shoot for 5's in each category! | |
Fri |
Complete ePortfolio due |
Final ePortfolio must include: Final Reflection Three songs (the three complete ones uploaded to Blackboard) including lyrics (non-music majors), lead sheets (music majors) and links to Soundcloud audio files "About me" page (separate from home page) that includes contact information A video of a performance of one of your original songs
Extra credit for including additional video(s) and songs. |
Week 15 Apr 25-27 Last day of classes is Wed., Apr
27
Your final exam will be a performance of your
songs on
Monday, May 2 at 7:30pm in the Theater
Invite your friends!
Set-up and rehearsal:
Sunday, May 1, 5:00pm
Link to recording:
https://www.dropbox.com/sh/wx5r5b71csz7m6g/AAAI5s60YlL-NB7NhsZnaSG9a?dl=0
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Assignments due: |
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Best of luck in all your Songwriting projects, and don't forget me at the Grammys!!!! |
Song Rubric Criteria | Performance Indicators | Failing (No) | Unacceptable (Really?) | Poor (Huh?) | Fair (Ok . . .) | Good (Ahh!) | Excellent (Wow!!!) | Lyrics | | | | | | | | 0 points | 24 points | 28 points | 32 points | 36 points | 40 points | Melody | | | | | | | | 0 points | 24 points | 28 points | 32 points | 36 points | 40 points | Harmony | | | | | | | | 0 points | 12 points | 14 points | 16 points | 18 points | 20 points | Total points | |
Performance indicators will be completed by students as an individual assignment and then revised as a group activity. Reflection Rubric |
Discussion Rubric Criteria | Performance Indicators | Failing | Poor | Fair | Good | Excellent | Original Post | No song submission | Incomplete song submission or submitted more than one week late | Song submitted one week late, complete, all requirements met | Song submitted one day late, complete, all requirements met | Song submitted on time, complete, all requirements met | | 0 points | 30 points | 35 points | 40 points | 50 points | Responses | No responses including “good job” responses with no helpful feedback | One response missing or one response is an “good job” response with no helpful feedback | One or more responses is less than 3 sentences long or 3 responses that add little feedback | 3 complete responses that include helpful feedback | More than 3 complete responses that include helpful feedback | | 0 points | 35 points | 40 points | 45 points | 50 points | Total points | |
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Writing | Poetry assignment |
One set of song lyrics (poetry form) will be submitted to the TSU Anthology
| MidTerm reflection (free form) |
| Final reflection |
From the syllabus: | Articulate how they have applied learning from music, political science, history, sociology, psychology, and writing in writing songs |
| Evaluate how this applied learning experience has expanded their views of academic, political, social, cultural, and/or economic environments and prepared them to contribute more meaningfully to a global society. |
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Compositions Compositions in progress may be in any written form: | Finale files | | Lyrics with lead sheet symbols | | Hand-written |
The final product, however, must be converted to PDF for inclusion in the ePortfolio. Students will employ a constructivist approach in setting criteria by which their compositions will be judged. |
Performances
| Each song-writer will put together and rehearse the performer/performers for his/her song. The song-writer must participate in at least one performance of his/her compositions. |
| Performances will be critiqued by the class and again, students will use a constructivist approach in setting criteria for evaluation. |
| Videos are required for each composition performed to be included in the ePortfolio. Videos do not have to be of the performance itself, but may be made 'in studio.' |
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ePortfolio
Software, Tools, and Resources for Digital Portfolios |
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