General Characteristics of 20th Century Music | Rhythm was underdeveloped in Western music before 1900. It became much more complex and irregular in the 20th century. |
| Melody became of secondary importance in much of the music in the 20th century. Melodies were often erratic with wide leaps, irregular rhythms, and unexpected phrases - an instrumental rather than vocal approach. |
| Harmony was freed from "the tyranny of tonality" (Schoenberg). References to a "key" or tonal center were often determined unimportant and atonality was explored. New scale and chord structures were developed. |
| Timbre was explored in depth. New playing techniques were developed on traditional instruments to expand their tonal range. New instruments were created (mostly electronic) and instruments unique to "world" or ethnic music were incorporated into the sonic spectrum. |
| Recording technology increased accessibility for audiences and change the way musicians created music and made a living. |
Impression: Sunrise Claude Monet | Impressionism | tonal sonorities | | non-functional harmony | | colorful texture | | primarily French |
| | Claude Debussy French (1862 - 1918 ) Clair de Lune Prelude a l'apres-midi d'un faune | | Maurice Ravel French (1875 -1937) Bolero |
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| Expressionism | emotional expression | | dissolution of tonality | | jagged melodic lines |
Serialism (then Hyperserialism) | | Arnold Schoenberg (1874 - 1951 ) AustrianVerklarte Nacht (excerpt) Pierrot Lunaire (excerpt) | | Milton Babbitt (1916 - ) American Composition for Synthesizer |
EXPRESSIONISM (1910-40) Expressionism was centered in Vienna (Freud) and focuses on the subconscious and extreme inner emotions. It is a reaction to the "prettiness" of Impressionism. Expressionist music and art is not intended to be real or pretty. Van Gogh was the initiator of this style in art although he died (1890) before the period began. Starry Night Vincent Van Gogh 1889 These paintings were actually painted by Schoenberg. B Bb G C# Eb C D A F# E Ab F 12-tone Row Compositional material: The "Matrix" |
| Neoclassicism | rhythmic energy | | traditional forms |
Nationalistic period (Russian) Neoclassicism Serialism "There can be no art without discipline." ----Igor Stravinsky | | Igor Stravinsky (1882 - 1971 ) Rite of Spring | | Rite of Spring Stravinsky collaborated with an anthropologist for the story line. Example of Primitivism It was a "riot." |
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| Chance music (Aleatoric) | any sound can be musical | | music can be "composed" by chance or indeterminate methods |
| | John Cage (1912 - 1992 ) American4'33" Complete Piano | | |
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| Minimalism | developed in the US around 1965-70 | | the music changes/grows/develops, but it doesn't "go" anywhere |
Miniminiminiminiminim-alismExample: In C53 measures, each repeated ad lib. any combo, number of instruments performance time: 42 minutes | | | | Terry Riley (1935 - ) In C |
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| Phase Shifting Reich preferred the term "process music" phaseshifting haseshiftingp | two performers begin in unison | | one gradually pulls ahead | | this "gradual process" continues until they rejoin | | new counterpoint results |
| | | | Steve Reich(1936 - ) Piano Phase Come Out |
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| | early work was Minimalist | | made the music more accessible to the people | | postminimalist works maintained his unique style | | musical theater, opera, and movie scores |
| | | | Philip Glass (1937 - ) Koyaanisqatsi |
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Green Violinist Marc Chagall |
ORDER & CHAOS • SURFACE CHAOS/INNER ORDER: Rite of Spring; serialism • SURFACE ORDER/INNER ORDER: minimalism (Reich, Music for 18) • SURFACE CHAOS/INNER CHAOS: chance methods (John Cage) |
Created and Maintained by Vicky V. Johnson |